In this paper I will demonstrate why I believe, contrary to widespread opinion and possible regular(a) his own, that Aristophanes, non Euripides, was, of the four major dramatists fo Athens Golden Age, the one who least(prenominal) respected women. Having become aware at the ouset of this leterrature course of the consumption of women in the otherwise enlightened thought of Greece in the ordinal Century B.C., I kept my eyes open during our upbringing for evidences of, if I may comit an anchronism, chauvinism in the plays of Aeschylus, Sophocles and Euripides. Consoled by the knoledge presented in the text that Aristophanes had accused Euripides of hating women. I didnt look for it in Lysistrata. Nevertheless, that is where I found it. In interpreting attitudes toward women in the dramas, I accepts certain(p) paramount tradtions as given and tried to give the playwrights the make of the doubt, move my head at such practices as development just now male actors in the play s and leaving the women in the kitchen patch aid the plays. Having concedes those come ins, I set about listening to the playwrights. In Agamemnon, Aeschylus addresses few remarks toward his Clytaemnestra which could possibly be interpreted as disparaging. She is tell to gaming like a man, and Cassandra exclaims, What outrage--the woman kills the man! The refrain asks her What operate her insane enough to kill a man.
Her loer, Aegisthus, although he gloats over the body he cringed from cutting down, allows that the treachery was the womans work, clearly. removed from libelous women, however, I believe these parrotings of the prevailing attitudes, whe! n juxtaposed with Aeschylus word-painting of an intelligent, open Clytaemnestra, a gullible, ususpecting Agamemnon and a spineless, parasitical Aegisthus, achieve the end point of satirizing those attitudes. At the close of the play, Clytaemnestra challenges her... If you want to get a to the all-inclusive essay, order it on our website: OrderCustomPaper.com
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